THE GREAT HYBRIDIZATIONS

“From those early and simple display cases he moves on to actual caskets, in which he piles up and stores pieces of life and memory. Now faces often leave the scene to things, which in the narrow space of those boxes set up studio corners or shelves on which art objects are lined up: pastels, brushes, small paintings, palettes. A heterogeneous sampler, put together to testify to the artist’s activity, but above all almost to stop, with fragments of reality, memories, impressions, corners of life that belonged to the days.”

Lorella Giudici, 2012.