FROM FIGURATIVE TO EXPRESSIONISM
“[…] certain increasingly pronounced figures, crushed by a turgid, smoky color like those of some secentists, with still lifes that seem to be smoothed by a color that has no smears or boundaries in the mark but an absolute continuity; the aching figures of clowns, so dramatized by tonal impastoes that seem to cut parallel to the sheet, his dewy landscapes, which are beset with color in the brutal immediacy typical of the expressionists or the tonal refinement of the fauves or when he transforms man and environment into a whole, giving it the appearance of a monstrous robot.”
Francis Leale, 1966
Aquarius, 1963 – Oil on canvas
Landscape, 1973 – Oil on cardboard
Snowfall, 1973 – Oil on cardboard
Bird, 1967 – Iron
Untitled, 1967 – Iron
Sunrise, 1971 – Oil on canvas
Untitled, 1973 – Acrylic on canvas
Studies, 1974 – Watercolor on paper
Untitled, 1975 – Acrylic on paper
Untitled, 1973/1974 – Mixed media
Businessmen, 1974 – Mixed media
Untitled, 1974 – Oil on plywood
Untitled, 1974 – Acrylic on plywood
Lovers, 1974 – Acrylic on plywood
One Hundred Portraits, 1975 – Etching
Untitled, 1975 – Acrylic on panel.
Untitled, 1975 – Acrylic on panel.