{"id":3361,"date":"2026-06-29T12:49:28","date_gmt":"2026-06-29T10:49:28","guid":{"rendered":"https:\/\/gastonececconello.com\/opere\/die-grossen-kreuzungen\/"},"modified":"2026-06-29T12:49:30","modified_gmt":"2026-06-29T10:49:30","slug":"die-grossen-kreuzungen","status":"publish","type":"avada_portfolio","link":"https:\/\/gastonececconello.com\/de\/opere\/die-grossen-kreuzungen\/","title":{"rendered":"DIE GROSSEN KREUZUNGEN"},"content":{"rendered":"

DIE GROSSEN KREUZUNGEN<\/h3>\n<\/div>

\u201eVon diesen ersten, schlichten Vitrinen geht er zu regelrechten Schatzkisten \u00fcber, in denen er St\u00fccke des Lebens und der Erinnerung zusammenstellt und aufbewahrt. Nun treten die Gesichter oft in den Hintergrund und machen Platz f\u00fcr Gegenst\u00e4nde, die auf engstem Raum in diesen Schachteln Arbeitsecken oder Regale bilden, auf denen Kunstgegenst\u00e4nde aufgereiht sind: Pastellstifte, Pinsel, kleine Gem\u00e4lde, Paletten. Eine bunte Sammlung, zusammengestellt, um das k\u00fcnstlerische Schaffen zu dokumentieren, vor allem aber, um mit Fragmenten der Realit\u00e4t die Erinnerungen, Eindr\u00fccke und Lebensausschnitte der vergangenen Tage gewisserma\u00dfen festzuhalten.\u201c<\/p>\n

Lorella Giudici, 2012.<\/p>\n<\/div>

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Installation, 2012 \u2013 Ausstellungszentrum ARCA, Vercelli<\/em><\/p>\n<\/div>

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Lernecke, 2007 \u2013 aus verschiedenen Materialien<\/em><\/p>\n<\/div>

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Ohne Titel, 1999 \u2013 aus verschiedenen Materialien<\/em><\/p>\n<\/div>

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Nemecsek, 2004 \u2013 Aus verschiedenen Materialien<\/em><\/p>\n<\/div>

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\"opera<\/a><\/span><\/div><\/div><\/div>

Ohne Titel, 1999 \u2013 aus verschiedenen Materialien<\/em><\/p>\n<\/div>

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Ohne Titel, 2000 \u2013 aus verschiedenen Materialien<\/em><\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":7,"featured_media":3362,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[212],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-3361","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-werke"],"yoast_head":"\nDIE GROSSEN KREUZUNGEN - Gastone Cecconello<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gastonececconello.com\/de\/opere\/die-grossen-kreuzungen\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DIE GROSSEN KREUZUNGEN - Gastone Cecconello\" \/>\n<meta property=\"og:url\" content=\"https:\/\/gastonececconello.com\/de\/opere\/die-grossen-kreuzungen\/\" \/>\n<meta property=\"og:site_name\" content=\"Gastone Cecconello\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/gastonececconello1\" \/>\n<meta property=\"article:modified_time\" content=\"2026-06-29T10:49:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/gastonececconello.com\/wp-content\/uploads\/2015\/11\/grandi-ibridazioni.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1170\" \/>\n\t<meta property=\"og:image:height\" content=\"739\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@gascecconello\" \/>\n<meta name=\"twitter:label1\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data1\" content=\"15\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/gastonececconello.com\\\/de\\\/opere\\\/die-grossen-kreuzungen\\\/\",\"url\":\"https:\\\/\\\/gastonececconello.com\\\/de\\\/opere\\\/die-grossen-kreuzungen\\\/\",\"name\":\"DIE GROSSEN KREUZUNGEN - 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